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February 2020

Anamorphic Day-to-Day

How I Almost Missed NAB Show 2019

February 26, 2020

I started writing this shortly after we came back from NAB last year. The gears got stuck and I just managed to push them back in motion now as we approach NAB 2020.

At some point in late February I realized I had a shot at going to NAB this year. It was something I wanted for at least a few years – plus Las Vegas isn’t that far from Vancouver. I had stopped making videos for the channel in September and I left Facebook by Christmas. I felt I was done with all of this anamorphic and youtube stuff, so going to NAB was a sort of farewell.

I had a good flow of work and my contract ended the week prior to the event so I asked Ari if she wanted to come (it’s a gear thing, I thought she could be bored). She was excited for Vegas. We got tickets. It was too late to get a good price on a hotel but we got an airbnb. The NAB website said from April 6-11, but that’s too much time to feed G.A.S. so I thought of staying the weekend to check out the showroom and be done.

The plan was to arrive early on the week to explore the city and surrounding areas for a couple days, then NAB on the weekend, then back home early on the following Monday to start working on new things. If you’re a seasoned NAB visitor, my mistake might be apparent already. So we go, we explore, we drive, we eat – oh, the food!

Saturday comes around and we head to the convention center to get our NAB passes and drool over gear. We get there and the showroom is still being put together, only contractors coming in and out. We go to the information booth in the lobby and that’s when we learn that the showroom only opens on Monday at 9am – two hours after we’re scheduled to board our plane. I feel somehow I should’ve known that schedule from the start although the website wasn’t at all clear about it.

I’m devastated. “This-was-all-for-nothing” style. “What-a-waste-of-money-and-time” style. In a mix of anger, disappointment and sadness I storm out of the lobby and Ari catches up. By the time I sit down outside I’m set on trying to enjoy the two days we have left and miss out on what I came to see. It’s a crappy plan and it doesn’t really make me happy, but it definitely cuts my losses.

We take a car back to the airbnb. I’m done with the day and Ari is telling me this is all too stupid. I’m not taking it too well. We talk some more, call the airlines. Changing the flight is more expensive than getting a new one. My best shot at getting a refund for missing the flight is getting my airport fees and taxes back. I file for that anyway. It comes to $15.

Ariana says we’re not leaving without seeing the showroom. She says I can argue and fight all I want but she’s getting us new tickets home for late Tuesday instead of Monday morning. If I wanna go back by myself, I can, but she’s gonna see the showroom. That makes me recover a bit and I start looking for a place we can stay.

I start seeing past my anger and self-doubt from the misunderstanding by the time we book a room at Circus Circus – the creepiest and most bizarre place I’ve ever paid to sleep at. It’s gonna be good and it’s gonna be fun. We have the weekend to enjoy the city so we find some comedy, a little knife-throwing, and more delicious food – now with NAB discounts. It’s not like Vegas has little to offer.

Monday rolls around and we hit the showroom. It’s a lot of fun. Ari is a compositor and there’s a lot of post-production tech that she’s interested in. In the first day I just wander around in awe. We stop at Boris FX’s booth for a Mocha demo and sign up for some random prize raffle. I talk to a bunch of people, ask questions to brand representatives, hang out at the Atlas booth with Forrest Schultz, some folks recognize me from the channel – Tom Antos and Raafi Rivero right at the start, and more through the day. I stuff my backpack with free samples and gifts. I don’t have a goal and I feel pretty accomplished by now.

The last thing I do is to attend Adobe’s talk on “Editing for Youtube: Keeping Pace with Rapid Change” because, well, I relate to all of the words in that sentence: I use Premiere and After Effects for work. The guys from Corridor Digital were at the talk and I’ve been a fan for a while, so I went for it.

I sat there and watched. Ariana joined me halfway and by the time the panel was over she bolted from her seat to the front of the stage (if you watch the video, on the very last seconds she’s the girl in yellow that comes from the bottom right of frame).

Before I catch up to her she’s taking photos of the panelists at the request of the mediator. I just hover over there waiting for her to be done so we can head out. That’s when Sam Gorski, from Corridor Digital, points very directly at me and says “man, I love your channel”. My mind goes “Haha, me? this guy here? Tito? Nah, he must be thinking of someone else, I don’t even look like in the videos for a while”. So I react in the most natural way I can: I point at myself and mouth back “Me?” with a mildly concerned face. To that he goes “Yeah, man, you, with the anamorphic stuff”. I’m pretty sure there’s no one there with an “anamorphic stuff” channel, so it can only be me.

I come closer, we chat for a bit, talk about anamorfaking and how cheap and effective it is, especially for VFX and post-production – this conversation was a huge encouragement to the Anamorfake It guide. Sam emphasizes a bunch of things about my videos that I thought no one cared or that held me back in the sense of generating income. The showroom is closing so we wrap up the chat. At this point I’m shifting my perspective about the channel and how much of its impact is unknown to me. I also have it very clear that Ari is a big catalyst for the things I want to do but I’m afraid to take the shot and I’m very thankful to be with her.

The second day is much shorter than the first since we have to finally catch our flight mid-afternoon. On the bus from the hotel to the showroom the guy sitting next to me recognizes me and we chat about his experiments with shooting scope and anamorfaking.

At this point I have already decided that I’m not letting the channel die just yet and that my work has value and importance. The conversations all point to what I set out to do from the channel’s start: to provide information that allows anyone wanting to experiment with the anamorphic look to do so without breaking the bank. I don’t know yet what I’ll do to start making videos again, or what to cover in them, but I know that on this second day I’m making connections.

While on the lobby outside the showroom I study the floor map to mark the booths I wanna hit to try and create connections that could benefit the anamorphic chat (Cooke, Scorpio, P+S Technik, TLS, LumaFusion, FiLMiC Pro, some more Atlas, etc). In the middle of that we get an email from Boris FX. Remember we signed up for some random raffle prizes? It turns out Ariana won a full pass for 2020’s NAB Show.

The second day is much less overwhelming than the first, we see a bunch more demos. I talk to a lot more people than I did in the first day and we head out around noon for the airport. By the time we leave the ground we already know we’re coming back for 2020. This time I’ll be there for my birthday!

This experience was key for resurrecting the channel and changing my take on it. I don’t have expectations of it making up all my income – as I expected before -, I just find it important to put the content out there and hope that it helps someone in need of it. I’m also set on putting out different options for people that want to support my work through the sales of merchandise, guides, mods and whatever else I can come up with. I helped you and you wanna help me back? Buy something! :)

I started to write this post the day after we got home (April 10, 2019), but I never finish it because I’m worried about stupid things. First I don’t wanna sound like I’m tooting my own horn for the Corridor Digital part, although I am super proud of it. Second, I find it hard to reveal my mistakes online for anyone to see. I messed up with the schedule and that was not the image I wanted to cast.

It took me a while to realize that not revealing where I go wrong makes for a too-perfect-life and that’s one of the biggest problems with the internet right now. I don’t wanna add to it. I make mistakes. I mess up almost as much as I get things right, sometimes more. Plus mistakes make good stories and that’s something definitely worth sharing.

Anamorphic

How to Buy an Anamorphic Lens!

February 9, 2020

I recommend opening the image on a new tab and maxing out the zoom. This is my thought process for buying an anamorphic lens. It can be your first, it can be your twentieth. Have fun!

Below is a list with all the things mentioned in the flowchart. There’s a brief description and useful links. This should equip you with more than enough information on whatever endpoint you reach!

All the RED links on this post are part of eBay’s Partner Network, so if you purchase anything through them, you’re helping me to keep this project going.

Aivascope 1.5x 
The second version of the Aivascope. A single focus adapter that rivals image quality with the mighty Iscorama. It makes some of the most beautiful flares among adapters. Product Page / Test Videos

Anamorfake It Until You Make It!
An extensive guide I wrote on how to craft the anamorphic look without anamorphic glass. – Product Page / Videos

Anamorphic Mode
Some cameras offer this alternative recording mode that shoots 3:2, 4:3, or 6:5 aspect ratio for better use of sensor area. + info at Cinema5D

Atlas Orion Lenses
These are the new love of low-budget productions. Affordable anamorphics for cinema rates. Official Website / Video Review

Baby Hypergonar
One of the most famous baby scopes. This thing is tiny and incredibly rare. Performs pretty well, but offers an odd squeeze factor (1.75x) and requires a lot of extras for proper rigging. Also not the best in terms of coverage. Look for one on eBay / Test Videos

Blade Runner 2049
A sequel to Ridley Scott’s 1979 classic, featuring Ryan Gosling. It was shot by Roger Deakins, who is known for not using anamorphics. IMDB / ShotOnWhat

Bolex Moller 16/32/1.5x Anamorphot
The double-focus cousin of the Iscoramas. These gems are hard to find and pricy, but produce beautiful images. Look for one on eBay / Video Review

Communism
A political theory derived from Karl Marx, advocating class war and leading to a society in which all property is publicly owned and each person works and is paid according to their abilities and needs. Wikipedia

Davinci Resolve / Color Grading
DaVinci Resolve is a color correction and non-linear video editing application for macOS, Windows, and Linux. Official Website / Tutorial on Fixing Flares

Diopters
Auxiliary lenses that help with close focus, especially for anamorphic lenses. Look for some on eBay / + info at Anamorphic on a Budget

Glasswerk One Lenses
German lens maker, debuting with two lines of cine anamorphic lenses and claiming innovative optical design to deliver always perfect oval bokeh. Official Website

Iscorama
The unbeaten holy grail of anamorphics. Single focus, compact, razor sharp. Sells for large sums of money. Look for one on eBay / Video Review

Isco Ultra Star Anamorphic Lens
A popular, fairly cheap and reliable anamorphic adapter. Due to its modern coatings, it barely flares. Delivers sharp images and beautiful oval bokeh. Look for one on eBay / Video Review

Kowa B&H / 8-Z / 16-H / Elmoscope II
The golden standard when it comes to 2x projection lenses. Vintage glass leads to strong flares, extreme distortion around the edges and excellent image quality. Look for one on eBay / Video Review / + info about Sample Variance

Letus AnamorphX PRO 1.33x Anamorphic Adapter
The absolute king of the hill when it comes to “how wide does it go”. Delivers great image quality, but weighs a lot and requires double focusing. Official Website / Video Review

LOMO NAP2-3 Anamorphic Lens
A doorstop that smart people manage to adapt into usable optics. Look for one on eBay / + info at EOSHD

LOMO Squarefronts and Roundfronts
LOMOs are the cinema lenses of the Soviet Union. Needless to say they’re not in production anymore and are very sought after because of the character they bring to the footage. Squarefronts are older and less reliable, using a synchro focus mechanism. Roundfronts are newer and use variable diopters for focusing (see below). + info at Anamorphic on a Budget

Moller Anamorphot 46/2x
A very heavy projection lens. Makes handling the camera a real challenge. Delivers beautiful flares and image quality, but its unyielding size and weight make it unusable for me. Look for one on eBay

Panasonic LA7200 1.33x Anamorphic Adapter
Second place to the “how wide does it go” list, the LA7200 was a very popular adapter for beginners. Now not so much due to the many new additions to the market such as SLR Magic and Sirui. Look for one on eBay / Video Review

Rapido FMJ
FMJ stands for Front Metal Jacket, a metal tube that hides your adapter from prying eyes, disguising your DIY setup as a single unit. Official Website / Video Review

Rapido Full Package C
This Rapido package includes the FMJ, FVD16a and a Schneider Cinelux, all of which are referenced in this list, so look for their own definitions. The advantage of the package is they all come together. Official Website

Rapido FVD16A
The best cost/performance ratio on the market for single focus solutions (see Single Focus Solutions below). Official Website / Video Review

Rapido FVD35A
The FVD16A (see above) is a limiting factor when it comes to vignetting on some of the bigger adapters in the market. The FVD35A supercharges on the size, keeping your image cleaner and wider. Official Website

Sankor 16D
A cheaper and reliable 16mm anamorphic projection lens. Nice purple/blue flares. Look for one on eBay / Video Review

Schneider Anamorphic Lens
Sibling to the Isco Ultra Star (see above), but less friendly to double focusing since it doesn’t have a focus ring. Requires a single focus solution for better operation. Look for one on eBay / Video Review

Scope 30mm T/2
In April 1st, 2018 I said I made a lens. A lot of people loved the idea so much that they got mad when I said it was all a joke. Launch Video / VFX Breakdown

Single Focus Solution / Variable Diopter
All the rave when it comes to converting double-focus setups into single focus. Set everything to infinity and go out to shoot. + info at Anamorphic Cookbook / Video Review

Sirui 50mm f/1.8 1.33x Anamorphic Lens
A groundbreaking lens from a tripod-making company. Shook the foundations of the cheap anamorphic market in the end of 2019. Official Website / Video Review / Modding Instructions

SLR Magic 1.33x-40 Compact Anamorphic Adapter
Also one of my most popular recommendations, a super cheap adapter that works straight out of the box without requiring lots of clamps, step rings and other paraphernalia. Get one at B&H / Video Review

SLR Magic Anamorphot 65
The Anamorphot 65 was developed in partnership with Fujinon for perfect pairing with their MK lenses. Bigger elements mean less vignetting and can be made single focus when paired with said Fujinon MK lenses and a dual-motor follow focus system. Get one at B&H / + info at Cinema 5D

Van Diemen Rehousings
These rehousings are amazing. The downside is they take a long time and cost a small fortune. You provide all the glass, they do the mechanical design and building. Official Website / Video Review

Vazen 40mm T2 1.8x Anamorphic Lens
Vazen made a splash by offering a lens suited to MFT cameras and aiming at 4:3 shooting, optiminzing sensor use and squeeze ratio. Built like a tank, could be called a cine lens, but much cheaper than the other ones. Official Website / Video Review

Xelmus Apollo Anamorphic Lenses
A brand new lens maker from Ukraine who promises to revolutionize performance on the low-budget end of cinema anamorphics. Official Website / Video Review